Mahima Cortes

Are you ready? Ready to touch a completely unique font? The true postmodern typeface in history. Ready for a design revolution? This is the Revolancer font. This font will give you freedom. The freedom to be unique, not like everyone else. These are not just ordinary rotated letters. Each character in Revolancer font knows its place, and it is impossible to achieve such a smooth and organic flow of words using a regular font.

Sweet azalea is an all rounder font, very easy to adjust following your needs, it can be used as signature, branding, web design and of course used as casual script font to add a handwriting touch, all is available in just one file.

Plus featured with ligatures and swash alternates.

Note: the “Phone Pro Hebrew” typeface, includes just the Hebrew characters of the comprehensive “Phone Pro” family font, sold separately [on this MyFonts site], so they are economical for those interested just in the Hebrew Characters.

And regarding the “Phone Pro” project in general, this is what I wrote:

This font is—neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font—it is rather all of the above, which makes it a more versatile typographic tool—[handwritten] characters that are well-suited for a wide variety of applications from editorial design, [friendly] greeting cards... to branding, advertising, publicity and digital. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. Each glyph design has been treated as an ‘individual character’—the way I would treat a breathing, living, vulnerable and courteous human being; looking after each and every character as if it was my only child — bringing to light the authenticity and uniqueness of each individual, as well as my objective to bring about peace and harmony between them all as a whole.

Designed with the intention of harmonizing between four scripts — Latin, Cyrillic, Greek and Hebrew; the whole family has a comprehensive set of characters—in addition to the Latin letters, the Phone typeface also has a full set of characters for Vietnamese, partially extended Cyrillic, Greek and Hebrew (sold separately). The t_t ligature is something unique to Phone, as well as the t_z ligature, among others and extras. A distinctive trait of the Phone typeface, is a high x-height combined with relatively short ascenders.

The Phone typeface is in a way evoking the feeling of some Gaelic font and of the [Egyptian] Papyrus font (by Chris Costello, though, not being based on neither of those), having an exotic and an exquisite look, under the category of “Soft Fonts & Friendly Faces”.

Wildline is a fast logotype font, created to help you designing logotype or lettering that looks just like a hand-painted brush logo. 

Use it for designing signs, packaging, headlines, or a cool typographic print. 

Wildline has characteristics such as strength and confidence, while being dynamic, readable and very energic.

Containing extensive lingual support, it covers all Latin European and Asian scripts. 

The font contains all characters you'll ever need, including all punctuation and numbers. 

Albert’s a charismatic typeface. A warm, sensitive face with a big personality. He’s a friendly sans serif font; shapely, flexible and modern. Available in a wide range of weights, Albert’s a versatile face ideal for use in most applications.

FS Albert Pro has multilingual features, including Latin, Greek, Cyrillic, Small Caps, Oldstyle & Lining Figures, Superiors, Fractions, Alternative characters.

I was doodling away with a sharpie pen on a rainy day.

Hey… wait a minute. A rainy day, a font called Rainclouds… Yep, that’s right, it is called Rainclouds for that reason! ;-)

Rainclouds is a fat marker font with a lot of texture and a lot of mouth.