Mahima Cortes

Chico was by designed by Javier Mariscal and Josema Urós specifically for the final roll of credits in the animated film Chico y Rita.

The goal was to design a typeface with a good readability but that conveyed a strong script character and, in some way, tuned to the style of line used throughout the film.

Using a modular sans-serif as a template, Javier Mariscal reinterpreted the forms freely, while maintaining gridlike proportions.

Chico can be useful for comic-book lettering, editorial work and display applications.

Thirdlone is a handmade typeface with monoline script and sans. This font is perfect to be used as t-shirt designs, logo/brands, signatures, headlines, lettering quotes, and more. It also comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, and multi-lingual support.

Thirdlone Script includes 3 different styles: Regular, Stamp, and Ink.

Thirdlone Sans includes 4 different styles: Regular, Stamp, Ink, and Edge.

Regular styles are a regular style that have clean look on it.

Stamp styles give you aged texture on the font that will push out the vintage feel.

Ink styles will give the font a little bit of an ink feel.

The Edge style give this font a rough feel on its edge.

You can choose one of the styles mentioned above that match perfectly for your style, or just mix and match it.

Mixta is a contemporary sans-serif typeface with characteristic and defined features. This font was inspired by the idea of mixing different types of terminals in order to give the font a singular appearance. Its design is composed of diverse styles such as Didone and contemporary faces.

Create unique designs by combining any of the upright weights with matching italics. Mixta includes Cyrillic support, small caps, different types of figures and a wide variety of alternates.

Mixta comes with a set of 1,200 characters that support over 200 Latin-based languages. This font was specially designed for branding, advertising, editorial design, and use on Tv and social media.

Say hello to the new workhorse for packaging and advertising design! Chonky — playful version of chunky — is a bold script font based on the former English calligraphy but with touches of the vitality that the commercial lettering of 1950s had, and it is mostly inspired in the work of the master Doyald Young and his lessons. Following the advice where he explains that boldness requires simple forms, this modern typeface wasn’t designed to imitate calligraphy but it was typographically thought, being as minimal as a script could be. The eye was put on legibility as well as on spacing and connections, which were specially cared, as it is usual in all Typesenses’ scripts. The upright axis makes the curves slower while the rounded terminals give a warm look. The ascenders, descenders and capitals are the shorter they could be, mostly in the Regular style. The Poster font, has larger ones in order to achieve more graceful forms. Both options include stylistic sets and ligatures to embellish the words. Just keep the Standard Ligatures and Contextual Alternates features always active and see how the typeface writes perfectly while having fun with OpenType alternatives (*). Additionally, Chonky has extensive Western, Central and Eastern European language support. 

Due to its classical base mixed with modern touches, this is a typeface that will live for decades instead of fading away with fashion.

(*) Take a look at the User Guide to see all the features available.

The family contains two fonts - charged with OpenType features vintage soft serif and a sans serif with corresponding forms and softness.

Serif: Grandma’s sweet and soft recipe with more than 1300 ingredients (lots of alternates, swashes, ligatures and design elements). This font takes it’s inspiration from Goudy, Windsor and Bookman typefaces. Watch the video showing the font stylistic alternates and swashes in action https://youtu.be/_MHNizwq1bM

Sans serif: Soft and friendly, it is a simple 1970s inspired geometric grotesque to use as a support font with Praliné Serif or any other serif or script font of your choice.

Both fonts fully unicode mapped so can be used in any application.

Get your designs look 1970s!

Yuge, apparently, is how New Yorkers pronounce huge. I have never been to New York, so I can’t tell if this is a fact. But I often hear a certain New Yorker pronounce it that way, so I guess it’s sort of true.

Yuge is a handwritten font - made with a Sharpie pen.

Believe me, it is a good font. It is fantastic. It is the best font ever. It is YUGE! ;-)

JT Energy is a new in 2020 interpreted geometric type with optically consistent line thickness and an interesting look and feel. This type is inspired by designs from Paul Renner and Arno Drescher and was long developed until it was something own.

The family is equipped with

7 cuts — light to heavy —

2 extra versions “Placard” to set very large

stylistic alternates with letterforms that are round-edgy

alternates with flat diacritics

standard and oldstyle figures

and a variable font

What makes this type unique is the slanted, edgy-sharp M, a new S and a wide f.

Amazingly designed for a solid appearance in a branding project, magazine, packaging, website, letterhead, business card and the daily commercial jobs.

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Graphic design by Salzmann Gertsch, Switzerland.

“We think the Energy has a great style and it’s also fun to design with it!”