Mahima Cortes

Frizzy is a classic look vintage style font with a big set of additional characters. Lowercase letters have 4 stylistic sets with different shapes. Uppercase letter has two additional glyphs with upper and lower swashes. All those features can be found in the OpenType panel. Five extra swashes are available in the glyphs panel. When combining all of this features, you can create an interesting and unique lettering compositions.

Thank you and have a nice day!

Dorris - Swirly font family

Unique, cute and versatile serif family with alternates and ornaments to create a more stunning display. Try capital letters for groovy vintage style look or Capitalize for a happy, cute and beauty.

This Family has 9 weights from thin to black with a soft and curly tail that makes this font look funky and fresh.

Suitable for use in many design forms, for example, magazines, DIY projects, quotes, ice cream, postcards, logos, vintage look badges, old classic music, the 60s, 70s, 80s era, stickers, label, kids, baby, wedding projects and many more. We recommend using Adobe Programs.

The result of reducing elements of letterforms to only its necessity in lowercase is mostly influenced by the ideal of Aerodynamics. The true intention behind the design of Cobe is to construct a fluid typeface while maintaining a strong structure of uppercase that possessed distict forms, shapes and corners, resulting in an eye-pleasing texture when forming a sentence.

Cobe comes in 9 consecutive weights with italics and standard features.

For anyone who prefers to stand out from the crowd, than to go with the flow!

Arpona is a typeface with small wedge serifs and a strong character, ideal for corporate design and all projects characterized by a sense of individualism – for example art, fashion, food, beverage and lifestyle topics.

Arpona is inspired by roman letters carved in stone but otherwise difficult to categorize. It is neither a pure serif nor a sans but rather a symbiosis of different design concepts. Because of its display qualities, Arpona is a good choice for packaging, advertising and editorial design and is well readable even in running text on screen.

The family has nine weights, ranging from Thin to Black plus corresponding italics. Each style includes 590 glyphs supporting all western-, eastern- and central-european languages including four sets of figures and various currency symbols.

For more information visit the microsite: http://floodfonts.com/arpona

Introducing a conceptual script font: Asia Impact. It's a brush handwritten typeface inspired by asian traditional calligraphy. Each letter has two shapes versions for uppercase and lowercase characters. It works both in horizontal and vertical orientation. Asia Impact is perfect for tattoo design and authentic eastern lettering.

Kenac is an elegant, fresh and modern serif typeface, with unusual yet functional shapes, that combines characteristics of Roman type with elements of calligraphy and Victorian style.

Its singular modulation and contrast between thick and thin strokes make it look great in titles. In order to ensure ease of use, the Kenac family includes only 5 weights while its matching italics provide contrast and make the font a harmonic choice for continuous text.

Kenac has a unique appearance that makes it ideal for editorial design such as book covers and magazine website's headers as well as brand identity design.

VTF Gladius is the latest typographic endeavor from VarsityType. Like many others, this display typeface began as an experiment of implementing characteristics that otherwise would be absent in a traditional chiseled athletic block face.

VTF Gladius implements a system of angles and junctions in its letterforms that generate a distinct clockwise visual rhythm. In circular characters, this sensation is demonstrated throughout the use of offsetting 45-degree corners and intersections built into the counters. This draws the eye through the letterform, left-to-right, making every word feel more dynamic.

Further reinforcing the dynamic, the southernmost horizontal in each letterform is 10% thicker than the others. This unconventional decision alludes to penmanship, with the lower strokes pooling the majority of the ink, creating a nice “bounce” that gives the letter that much more personality. This phenomenon is even more apparent in oblique styles.

Select letterforms also feature “speed cuts”, which are a customizable OpenType feature for the VTF Gladius family. By default, these angular embellishments are disabled for standard styles and enabled for oblique styles. Additionally, the family is packed with a set of 11 discretionary ligatures that can be used as ordinals, buzzwords, and more (These options can be found under “Stylistic Sets” and “Discretionary Ligatures” in the “OpenType” window respectively).

VTF Gladius supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili, and Swedish. 

With five weights, a stencil version, and oblique styles for each, this 12-font family is ready and capable for any project.