Mahima Cortes

Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives.

Lina type family consists of Lina soft, Lina sans, Lina round.

The design is inspired by the Kufic calligraphic style and influenced by the Naskh style.

Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes.

It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv.

Lina Soft consists of 7-weight versions from thin to bold.

Thermind is a bold script typeface with a unique angle and is easy to read so that it is comfortable to use. This font is made with an old feel which is perfect for vintage/retro themed events. You can also use them as logos, badges, badges, packaging, titles, posters, t-shirts/clothing, greeting cards, business cards and wedding invitations and more. Flowing characters are ideal for crafting a compelling message to your taste.

mix and match with many alternative characters to suit your project. It will be more interesting if you add Extruded Fonts and alternatives.

Eerie House is a creepy and dark-looking display font. It is perfectly suitable for any Halloween-related project or crafty idea! The only limit is your imagination.

**Grindleaf Font**

This pair was inspired by beautiful earth poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool.

**Opentype features**

Grindleaf font has 172 character set included

Grindleaf Font is very good looking in logo, labels, product packaging, invitations, advertising and others.

This fonts works with folowing languages:

Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu

Thank you for using this font.

LS

Lina soft is an Arabic typeface from Lina-type family, with a warm and humane feeling. It's legible, soft, clear, flexible, simple, and contemporary. With a handful set of OpenType features and alternatives.

Lina type family consists of Lina soft, Lina sans, Lina round.

The design is inspired by the Kufic calligraphic style and influenced by the Naskh style.

Lina soft was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes.

It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv.

Lina Soft consists of 7-weight versions from thin to bold.

Vintage Comics JNL was inspired by the way the word “comics” was hand lettered on many of the comic book covers of the 1940s, and is available in both regular and oblique versions.

A playful caricature of a midcentury grotesque, Guzzo is a fresh addition to the Monotype Library. Somewhat eccentric and full of surprises, its unmistakable quirk can be found on closer inspection, stemming from details proudly borrowed from brush lettering and calligraphy.

The wide range of weights and style can take you through any design space, from the condensed weights squeezing in larger headlines or dense blocks of text with the condensed range, to experimenting with small point sizes, labels or packaging with the extended cut. However, Guzzo’s real charm is probably best expressed through its wonderfully playful shapes, its unusual 'laid-back italics' feature cursive forms and a backslant. The different stylistic sets allow you to decide what you make of Guzzo, with several sets of alternate glyphs steering it in any direction you want.

Guzzo is a happy-go-lucky character, and has a warm, humble and painterly quality that - at a glance - may be unrecognizable as a typeface. It can almost pass for hand-lettering. Guzzo pairs exceptionally well with scripts and slab typefaces, and feels most at home in situ with toys, packaging, menus, broadcasting, cartoons and merchandising! Guzzo encourages you to turn up the silliness and is for designers who want to emulate hand-painted and casual motifs.

Taking its name from American artist Jeremy Pinc, aka the painter Guzzo Pinc, the typeface channels the quirky, funny and poignant qualities of his paintings - with wacky characters, loosely painted geometric forms and bright colors.

For this mid century, authentic, nostalgic typeface - the story is really what you make of it.